Haven’t given up yet. Not much else to say. Torso’s still tough, started on the neck. Speaking of the torso, it’s really the 3d form of it that kills me. Like someone bending over might be the most intimidating pose ever lol. Anyways, 141 hours of study in April. Lets see if I can top that in May.
The grind continues, I wanna say I’m almost there when it comes to understanding the torso(the densely packed muscles in the back are giving me the most trouble), but eh, time will tell. Also, unless I breeze through the head, hair, lower body, hands, feet, perspective, rendering and clothing I’m probably not going to “make it” this year. I’m actually fine with that, I’m just hoping to keep the consistency up. The only way to really speed things up would be to study 6 hours after work, I don’t know how feasible that is
I don’t believe i’ve ever detailed my study plain/guide. Basically I want to grind anatomy to the point where I can replicate all the bone and muscle groups from memory. After that, I’m moving on to perspective. When I’m at the perspective stage, I’m planning on having half of every study session be perspective studies, then the other half be figure/life drawing. As Richard Williams says, Life drawing is the antidote. It will expose my weakness(and with anatomy knowledge, I’ll know what to fix precisely) and I’ll also be able to explore stuff like gesture. After all, I wanna do mostly character stuff if I ever go pro.
After gaining a basic knowledge of perspective, I’m hoping that will help me with simplifying figures in 3d space. Rendering/lighting/painting after that, the final frontier. Also grouping composition in that as well.
We’re almost 4 months into 2020. So far so good as far as my art journey. Anyways, here’s this past week’s studies:
I figure it’d best to space out the entries instead of spamming every night.
so yeah, february is coming to an end tonight. It looks as if I’ve developed a work ethic of some sort this year. It’s been over a month since I’ve skipped a day without studying. It’s definitely hard to suck ass every night and not really feel like you’re improving but I”m going to stick with it.
I’m delving into Gottfried Bamme’s The Complete Guide to Anatomy for Artists and Illustrators. I’m really liking it so far, the diagrams are well done and unlike every other anatomy book, Bammes is really doing a deep dive and providing ton of instructional drawings and angles for anatomical trouble areas, like the shoulder girdle. In Bridgeman and newer stuff like Anatomy 4 Sculptors, the shoulder girdle doesn’t get the attention it deserves, the material there always felt lacking. Where those books might spend a few pages at best, Bammes will provide a dozen. Maybe it’s just me and my smoothbrain but that shoulder girdle is so fucking tricky.